The “Wonderfulness” of Thea Kronborg’s Voice, by Sharon Hoover McGiveronĪ Response to Susan Rosowski’s “Willa Cather’s Ecology of Place,” by Reginald DyckĬoncentric Texts in The Professor’s House, by Ann Moseley
Immovable: Willa Cather’s Logic of Art and Place, by María Carla Sánchezįrom a “Stretch of Grey Sea” to the “Extent of Space”: The Gaze Across Vistas in Cather’s The Professor’s House, by Rafeeq O. My Ántonia and the Making of the Great Race, by Linda Lizut Helstern How the West Was Whitened: “Racial” Difference on Cather’s Prairie, by Jean C. “Terrible Women”: Gender, Platonism, and Christianity in Willa Cather’s The Professor’s House, by Anne Baker Sacred Spaces, Profane “Manufactories”: Willa Cather’s Split Artist in The Professor’s House and My Mortal Enemy, by Kim Vanderlaan “Nothing but land”: Women’s Narratives, Gardens, and the Settler-Colonial Imaginary in the US West and Australian Outback, by Tom Lynch The Chinaman’s Crime: Race, Memory, and the Railroad in Willa Cather’s “The Affair at Grover Station,” by Julia H. Willa Cather’s Southwestern Grave Robbers , by Carolyn Dekkerīeyond Possession: Animals and Gifts in Willa Cather’s Settler Colonial Fictions, by Alex Calder The Parthian Legacy: Irish Catholicism and Remaking Identity in Willa Cather’s My Mortal, by Vera R. At the age of 33 she moved to New York City, her primary home for the rest of her life, though she also traveled widely and spent considerable time at her summer residence on Grand Manan Island, New Brunswick.
She lived and worked in Pittsburgh for ten years, supporting herself as a magazine editor and high school English teacher. In 1923 she was awarded the Pulitzer Prize for One of Ours (1922), a novel set during World War I.Ĭather grew up in Virginia and Nebraska, and graduated from the University of Nebraska–Lincoln. Willa Sibert Cather ( / ˈ k æ ð ər/ Decem– Ap) was an American writer who achieved recognition for her novels of frontier life on the Great Plains, including O Pioneers! (1913), The Song of the Lark (1915), and My Ántonia (1918).
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